Because Empty Fame Is Evil. That's Why.

PLEASE NOTE: several of my keyboard keys are going out intermittently, so I’m going to suck at responding to comments for a while. 😩😩😩

Backrooms (2026). A furniture store owner (Chiwetel Ejiofor) discovers an entrance in the store basement to a seemingly endless series of uncanny office rooms.

The second huge horror sleeper hit of the summer! Although maybe not a sleeper to those paying attention, because this movie is adapted from a wildly popular series of CGI Youtube shorts by teenager Kane Parsons, who also directed this movie at the age of 20. The last I saw was that its opening weekend receipts might beat The Mandalorian and Grogu’s from last weekend, which is just incredible. (LOL Disney.) The word is that this is getting huge number of middle and high schoolers into the theater. I know my local theater has been nearly sold out, and I saw it in a nearly full theater. It’s wild, honestly; I’m not used to going to movies that other people want to see, too!

Anyway, this movie is maybe the purest expression of Vibes™ that I’ve encountered in a horror movie in a long time. The horror here is: what if empty rooms? What if the 90s? (This is also a period movie, by which I mean it’s set in 1990.) But most importantly: what if empty rooms that are apparently infinite and don’t make any sense? The comparison used in the film is “What if you described a dog to someone who’d never seen a dog, and then you asked them to draw it?” Stairways go nowhere and carpeted ramps lead to tiny, Alice in Wonderland scale doors with three doorknobs. Furniture is stuck in walls and floors. And everything is very bright and very yellow.

What this movie does not do is clutter up all those vibes with, say… a plot. That sounds like sarcasm, but I’ve seen too many horror movies that feel the need to pull some bullshit plot out at the last minute to justify their existence, and Backrooms is confident enough to eschew all of that. It does have a narrative structure as we follow first furniture vendor Clark and later his therapist around the treacherous backrooms, learning things about them (or at least making conjectures which are never confirmed or denied by the film itself). Some people die, because of course you can’t have a labyrinth without a monster or two. There aren’t even many jump scares, though the whole atmosphere of wrongness is so intense that I spent the whole movie clutching my blanket very tightly.

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Saccharine (2026). A med student (Hana, played by Midori Francis) starts taking a weight loss pill made from human ashes and becomes haunted by the ghost of the person she's consuming.

Francis is absolutely the star of the show here and does a great job portraying Hana's insecurities. I also really enjoyed Danielle Macdonald as her friend and fellow med student Josie. The movie also has a clear cinematic vision for how it tells its story.

As for the themes, I don’t feel fully qualified to make a judgement one way or the other, but here are some thoughts.

( spoilers and a BUNCH of stuff about weight loss and fatphobia )